An example of Longuet-Higgins’s writings, introducing the field of music cognition:[4] ‘You’re browsing, let us imagine, in a music shop, and come across a box of faded pianola rolls. One of them bears an illegible title, and you unroll the first foot or two, to see if you can recognize the work from the pattern of holes in the paper. Are there four beats in the bar, or only three? Does the piece begin on the tonic, or some other note? Eventually you decide that the only way of finding out is to buy the roll, take it home, and play it on the pianola. Within seconds your ears have told you what your eyes were quite unable to make out—that you are now the proud possessor of a piano arrangement of “Colonel Bogey”’.[5]

— H. Christopher Longuet-Higgins - Wikipedia, the free encyclopedia